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catalogue a - f

catalogue m - r

catalogue s - z

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Gaping Maw - Two Improvisations cd (Archive) 3

Trio improv featuring Kurt Johnson (Flying Luttenbachers) on bass, Kyle Bruckmann on electronics and Tatsuya Nakatani on drums. First track is an all-out blitz of noise with powerful drumming, masses of low end rumble and squealing electronics. Second one starts menacingly distant like a bombing raid somewhere on the horizon, but soon launches into full-on percussive assault. Great packaging again from Archive.

Gauge - The Gatehouse 12" (Pause 2) 0.50

A marked change from Pause 2's usual electronic output: slow and quiet post rock is the mood this time. Very minimal drawn out melodies in the Empress / Kyoko vein with whispered male vocals.

Ron Geesin - Electrosound LP (Glo Spot) 12

From one giant of electronic sound to another. Glospot launched itself in spectacular style last year with a reissue of a KPM library disc by Delia Derbyshire. This is another reissue of a KPM release, this time by tape splicer extraordinaire, Pink Floyd collaborator and the best thing to come out (the only good thing?) of Stevenston, Ron Geesin. This was originally issued in 1972 and it must have sounded pretty wild then; it sounds pretty wild now. A crazed mix of musique concrete, avant-electronics and wired oscillations given liberal helpings of "RonDelay" and adding up to some seriously surreal sci-fi nursery rhymes. The LP is on heavy blue and white marbled vinyl (meant to be lightning on a blue sky!) and comes in a superb gatefold sleeve with an illustration of Ron in the studio by his son, a photograph of Ron levitating in front of a tape machine and some wonderful sleeve notes from the man himself. I'll leave the final words to him: "pleasantly hysterical". Highest recommendation!

Ghost Brames - Static Aero cdr (Leaf Trail) 4.75

Ghost Brames are French duo Florian Tositti (also the Reggae) and Jacob Garret. This "goes" well with the new Bonecloud Leaf Trail cdr, being another amorphous haze of sound - high wire drones, splashes of ringing metal and deep vocal oms that build into a ringing cacophony of tones, subtle harmonies and wind-tunnel atmospherics.

also: Cosmic Mandoliners

The Ghost Dance Project - Night Recordings From Giu, Gujarat, India January 2007 cdr (om ha sva ksha ma la va ra yam recordings) 5.50

One of a recent batch of releases on Jani Hirvonen's (Uton) label. This is a super-limited (40) edition disc featuring Uton jamming with a German hippie couple and an Australian in the ruins of an old fort on a island in the Arabic Ocean (which can be hear in the background). Tabla, guitar, voilin, percussion and occasional wordless vocals feature and this has the feel of a nocturnal fragmentary jam.

Ghost Moth - Sealand Fortress cdr (House of Alchemy) 3.50

Saxophonist Daniel Carter, plus Todd Brooks and Robbie McDonald on various synths and oscillators, guitar and tapes play a full-throttle improv which leaves as it arrived: with a dramatic cut! The inspiration for the piece is a throwback to the days of offshore pirate radio in 1960s Britain. Whilst Screaming Lord Sutch ran Radio Sutch on a disused WWII iron fort (which also doubled as the location for an episode of Danger Man, fact fiends!), an ex British army major who ran Radio Essex on another of these platforms declared it an independent principality. The cd liner will direct you to a website where you can read the whole story. (JC)

GHQ - Cosmology of Eye cd (Time Lag) 5

East Coast heavy psych-folk-drone fuzz featuring Marcia Bassett (Double Leopards / Hototogisu / Zaika), Steve Gunn and Pete Nolan (Magik Markers / Virgin Eye Blood Brothers) - forest-dense primitive acoustic textures of bowed and strummed strings, percussion and tranced vocals. Every bit as fried and mesmerizing as early Amon Duul and in the usual lovely Time Lag packaging - heavy vinyl, letter-pressed card sleeves and a photographic insert shot by Tom Carter 

also: Double Leopards, Hototogisu, Zaika, Spectre Folk, Magik Markers

Gift Horse - The Snouts and Ears of America cdr (Foxglove) 2

Traditional fiddle music played by Hal Hughes and Jill Kjömpedahl, who've been playing fiddle music together since 1978, recorded by Robert Horton. Two Irish, one Scottish and one Pennsylvanian traditional plus 5 self-penned. haunting and magical.

Frode Gjerstad / Paal Nilssen-Love - Day Before One LP (Tyfus) 5

There are a lot of saxophone and drum improv duos doing the rounds right now. This one leaps out with something different to offer with the addition of clarinet and bass clarinet. The interaction between players here shows a welcome lightness of touch: yes, it full throttle free music, but their feeling for spontaneous melody, harmony and rhythm really makes this album dance with life. (JC)

Glasgow Improvisers Orchestra with Barry Guy - Falkirk cd (FMR) 8

GIO's collaboration with double bass player and composer Barry Guy took the Orchestra into new territory. The concert recording featured here has an improvised piece then the main work, Witch Gong Game 11/10, inspired by Scottish painter Alan Davie. Guy faced the other musicians, playing and directing by means of conduction, a form of structured improvising developed by Butch Morris. The idea is that a language of symbolic gestures and movements suggest a type of sound or dynamic and individual players offer their own reactions. Since this concert, GIO has continued to work on conduction, with group members Raymond MacDonald and Una MacGlone striking the poses. Anyway, what Barry Guy did here was to guide GIO into a distinctly jazzy territory: some sections of Witch Gong have a rather Mingus-like swing to them, others are full blast freeform and, with vocal and spoken word elements, there are some beautiful calmer passages too. Cogent work indeed and a welcome thing to hear this special night captured on record. (JC)

also: Burt / MacDonald Quartet, Neil Davidson

The Glasgow Improvisers Orchestra with Evan Parker - Munich and Glasgow cd (FMR) 8

The Glasgow Improvisers Orchestra has become noted for collaborations with visiting artists and they began these was with legendary free improv saxophonist Evan Parker in 2002. This album was recorded in Glasgow and Munich the following year, when the floating lineup of GIO was 21 strong and included Alex Neilson, Daniel Padden, Peter Nicholson (One Ensemble) Tom Crossley (International Airport) and Raymond MacDonald. I was at the Glasgow concert and my salient memory is of guitarist George Burt playing the chair he was sitting on in addition to his instrument! Having said that, the six pieces here are quite structured, at times recalling the deeply melodic dirge of the Gil Evans Orchestra and, at others, the funkiness of Charles Mingus. A welcome document of a great live experience. (JC)

Glasgow Improvisers Orchestra with Maggie Nichols - Which Way Did He Go? cd (FMR) 8

Maggie Nicols had a series of workshops with GIO which encouraged all the players involved to use (and in some cases this meant discover) their voices. In this way, she established a wonderful rapport and, quite literally, harmony with the Orchestra and that shines through in the five pieces on this album. Maggie is of Scottish/North African parentage (she's the daughter of a Berber princess!) and these elements have helped make her one the most distinctive voices in improv circles since the 1970's. Even though GIO members don't sing on this record, Maggie's subtle direction made for quite a different sound from the Orchestra and the whole process was a pleasure for the players and the audience. (JC)

Glasgow Improvisers Orchestra & London Improvisers Orchestra - Separately & Together 2cd (Emanem) 15

GIO have been proving for several years now that large scale group improvisation can work successfully and their live sound has translated onto record very well too. As the title suggests, this double disc set features music by the Glasgow orchestra, their "opposite numbers" in London and three substantial pieces where forces are joined. There are devised structures, free works and, for the joint ventures, conductions. All in all, a huge tapestry of sound, from low rumbles of bass clarinet and strings to full-on assault of the impressive forces captured at London's Freedom of the City festival in May 2007. I can't help but mention that the lineup of the London orchestra reads a bit like a who's who of my formative listening experiences in this area: Lol Coxhill, John Rangecroft, Evan Parker, Marcio Mattos, Sylvia Hallett, Veryan Weston, Harry Becket.... impressive - and not just for the names! (JC)

Glasgow Improvisers Orchestra / George Lewis - Metamorphic Rock cd (Iorram) 6.75

The time George Lewis spent with GIO in Glasgow was a particularly pleasant one for all concerned. Lewis, the New York trombone legend who has worked with artists as diverse as Gil Evans, Anthony Braxton and Count Basie, enjoyed the people and the city, it seemed, as much as he enjoyed playing. When not involved in workshops with the Orchestra, he might be found sampling single malt whiskies, out shopping or even having a dance at Nice'n'Sleazy's across the road from the CCA where this cd was recorded. I mention these details because Metamorphic Rock s the product of a free session which took place after George & GIO had been rehearsing the main, commissioned, work he was in town to play. This session happened because everyone was enjoying playing so much and wanted to carry on. It is improvised music making born of a joyous moment and it sounds like it too. Just as well the 45 minute span was captured and can be shared via this disc. (JC)

Glider - Ils S'appellent 7" (Bearos) 0.25

gorgeous pastoral post-rock instrumentals from Gavin of Billy Mahonie's side project; I could imagine this sort of thing being released on the Temporary Residence label if it tended more towards the ethereal. 

also: Meets Guitar

Glory Fckn Sun 

  • Vision Scorched cd (Pseudoarcana) 5.75

Reissue of this wonderful cd without the book. Features Antony Milton (Nether Dawn, Mrtyu! etc), Ben Spiers & percussionist Simon O'Rorke engaged in ecstatic sun worship. The opening track is a long piece of cosmic improv - the expansive crash of gongs, the deep rumble of guitar, drawn-out drones. Track 2 is an infernal white noise onslaught. The closing track is a ragged electric raga, almost buried beneath layers of intense drone and percussive splash.

  • Spectra LP (Tipped Bowler) 12

Follow-up to that incredible debut on Pseudoarcana by  Antony Milton (Nether Dawn, Mrtyu! etc), Ben Spiers & percussionist Simon O'Rorke. Expansive black holes of noxious gases and an impending sense of ill-ease, which leads onto the second side, bleak Haino-esque squalls of over-layered distortion. Excellent again. Red vinyl.

The Goner - H.H. 2cdr (Deep Water) 8.50

A double disc adventure into the creative mind of Daniel Westerlund, aka The Goner, which spans enough different textures to keep interest alive all the way. There are looped beats, spooky banjos, distantly miked songs that evoke sunset back porches, the resonant sound of the bodhran, even some funky wah-wah guitar. Well worth further investigation. (JC)

Gorman 

  • Alum Creek 3" cdr (Reverb Worship) 4

This is a beautiful piece of exquisite layered drone with warm almost-distorted tones melting into each other, ominous bass ebbing and flowing underneath and slow guitar notes disappearing into the distance. 

  • The Railroad Earth cassette (Blackest Rainbow) 5

Funereal ritual drones that piles layer upon layer of gloom. Percussion that sounds like a death march and scouring feedback help build an atmosphere on threat on side 1. Side 2 lets a little light in - the drum is still funereally paced but the guitar and wordless vocals float like a sea haar at first light. 

Gorman / Do Tell cassette (Housecraft) 4.25

"Gorman emerges from a mound of earth, climbing further into blank woods, ghostly chants in tow. Do Tell is parting seas with tonal miracles, divining hazy, time-altering slow motion portals from the recesses of your sepia  mind." (Housecraft)

Gown - On The River cdr (House of Alchemy) 4.25

The latest disc from Andrew McGregor comes housed in a foldout screenprinted sleeve. It opens in trademark Gown style with a wayward dirge with double-tracked vocals wavering and a morose descending guitar line. Fuzzed-out guitar rains down on the second track and on the last its heavy downpour is joined by McGregor's unsettled vocals.

Graveyards - Cinders LP (Sergent Massacre) 12

This is Graveyards quartet line-up featuring John Olson, Ben Hall, Hans Buetow and Coccyx. Bleak sax / cello / percussion / electronics improv, bristling with apocalyptic tension.

Nick Grey - The Candlelight Eyes EP cdr (Barl Fire) 3

5 moody and introspective songs from English singer-songwriter Nick Grey (who also runs the Milk and Moon label) that have a gloomy gothic chamber feel to them, almost like an English take on Nico's "Desertshore". Dense and mysterious arrangements, and rather lovely.

Grey Park  - A Final Exam For a Agent cdr (267 Latttajjaa) 5

Weird and wired electronics from Finland: buzzing and fuzzing like distant sounds echoing and amplified in a subway tunnel.

also: Drones Since the Dawn of Time comp, Wailing Bones Volume 10

Dominique Grimaud - Les Quatre cd (Locust) 7.25

I’m one of those people fortunate enough to have heard Dominique Grimaud’s music via his recordings with Monique Alba and various friends as Video Aventures. I was immediately struck by the freshness of their three-decade old recordings, my attention was caught by their cover of Joe Meek’s Telstar and I was made aware of Grimaud’s involvement in another innovative French band called Camizole, dating back as far as 1970. It’s only thanks to a French friend playing Video Aventures 10” album to me that I had heard of Dominique at all. For all his talent and longevity, it is perhaps his unassuming character which has given him something of a best kept secret status anywhere outside his own country. This also makes the release of Les Quatre Directions a laudably brave one on the part of Locust Records. It is a challenging work which makes demands on the listener, not least because it runs for a few seconds short of one hour and has no track markers, so the implicit requirement is to play it as a whole. Grimaud took nearly a year and a half to record it and inside the cd insert there is a circular map – a sort of clock of the hour – giving some outline of how the arrangement was devised and which instruments were employed at different points. These include a colourful range of percussion, a Fender Stratocaster used in a variety of ways and analogue synths by the likes of EMS and Moog. Amidst an electronic maelstrom around 27’36” a trombone takes a lead role for a while and this is one of the textural surprises which gives the piece form, ensuring that it does not drag. At times this music is quite minimal and open in texture, but the last quarter builds an orchestration of ominous contrapuntal melodies to a rather staggering intensity before the piece winds down, reminding me at one point of an old spring driven gramophone loosening out its coils near the end of a 78 record side. The work then closes with sparse percussion. This is a very carefully thought out and rewarding piece of modern music and one which, I hope, might bring some wider currency to Dominique Grimaud’s name and his other achievements. I’m not sure how often he performs live, although I know he has shared a stage with Colleen. (it was she who played me the Video Aventures record in the first place, said he, name-dropping) However I suspect it would be impossible to recreate this album live and I rather doubt that a tour will ensue to promote it. In saying this, I hope it does not just slip through the cracks for that reason, as Dominique Grimaud most certainly deserves your attention. (JC)

Gryn Brvs - Shoop cdr (Rural Faune) 5

Irish duo with previous releases on Digitalis and Chocolate Monk. Spaced-out drone / percussion unease. 

Gryn Brvs / Siblings of Plasma split cassette (Digitalis Ltd) 3

A split featuring two groups that share some members. Gryn Brvs' side is a freeform percussion / acoustic guitar sprawl that seems to lost its way several times but when it's good, it's gloriously good. Siblings of Plasma explore similar territory but with less emphasis on improv and more on hypnotic ritual.

Anthony Guerra- Empty Kingdoms cdr (Black Petal) 6

Spacious and beautiful improvisations on guitar, maybe like a more abstract Loren Mazzacane Conors. Particularly fine are the moments on the title track where the loops sing in weird 'off'-harmonies and the final track of solitary strung-out slide guitar blues and Guerra's high wavering vocals. Nice card packaging too. Highly recommended.

Anthony Guerra & Matthew Nidek - nb cdr (Seedy R) 5.50

extraordinarily loud live show from Australian guitarist Guerra and American drummer Nidek: fuzzed-up guitar and drum mayhem that simply slashes its way out of the speakers - superb

also: It's Over, We Don't Care comp, Stern / Guerra, Green Blossoms

Gulliver - Boujouba 7" (Pickled Egg) 0.25

lovely melodic songs from the man they call the French Momus ... I'd say a Noel Coward for the synth pop generation

Steve Gunn - s/t cdr (Abandon Ship) 5.50

A reissue of Steve Gunn's (Magik Markers / GHQ) cdr on Onomato from a year or so ago. Magical zoned ragas on banjo and acoustic guitar, with some psych guitar flights. Heidi Dahl sings on one track.

Steve Gunn / Shawn David McMillen - End of the City LP (Abandon Ship / DNT / Abaddon) 13

Excellent split LP featuring GHQ's Steve Gunn on one side with an acoustic guitar figure, heavy on repetition and with a gorgeous warm sound. The sound around the guitar builds up with bowed strings and electric guitar into a lovely piece of hypnotic American blues / folk. Shawn David McMillen is a member / ex-member of Ash Castles on the Ghost, Friday Group and Iron Kite. His side explores ethnic and primitive folk in a more experimental way with barbiturate spiked accumulations of strings and metal.

Gyanism - An Interstate Pugilist cdr (MYMWLY) 2.50

"From Brisbane’s fertile underground flows a million glistening particles as the soundtrack to the dirge of our lives unravels our minds into a cathedral of crystal shards and wails our prayers into the void A sprawling wash of guitars, harsh electronics, percussion and processed acoustics forged into a mutant march towards oblivion made real by joel stern , yusuke akai , daiji igasashi , scott sinclair…sweet head fuck for the children of the infinite dissolution." (MYMWLY) 

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Hairmaiden of the Totem Robe - Breaking the Head double cassette (Housecraft) 6

""conjured bones and drones ebb and flow in intricate networks of glowing undergrowth and seamless stereo mirage, under continual excavation of guided clatter and strung mystery. mist crawls over stone benches. chants fall from branches. this is dreaming geometry, sunk in soot, bright with leaves." (Housecraft) 

Tom Hall - Cross cdr (Hello Square) 6

New release on Shoeb Ahmed's Hello Square recordings. Manipulated and processed sounds (keyboard, wind-up watch, dulcimer, cymbal, guitar, piano, field recordings) that become a warm, amorphous ambient electronica shimmer. 

Sam Hamilton & Chris O'Connor - Tidal Dee's and Harboured Dum's cdr (Pseudoarcana) 4

Originally created as a soundtrack to the film "Anguish" by experimental film-maker Tim Van Dammen and featuring New Zealanders Sam Hamilton and Chris O'Connor. Malevolent squalls of bass, guitar, electronics and drums that seem to inch slowly towards impending doom over the first 3 tracks. Final track "Joy" is an appropriately joyous meshing of sing-song electronics, crashing drums and psych-guitar pyrotechnics.

Hanage Youchien - The Children of Ganga cdr (om ha sva ksha ma la va ra yam recordings) 5.50

Another limited edition cdr from Jani Uton's Indian trip. Jani Hirvonen (Uton) with a Japanese couple he met in Laxman Jhula, Rishikesh. Instruments used include ravanhattha (traditional Rajasthani instrument), violin, percussion, flutes and vocals. Child-like jams and improv trances.

Hands of Sun - Clay Dreams cdr (Nothing Out There) 5.50

This is the second instalment of the Odomez Series; the first being that fine cdr from Robert Horton from last year. "Odomez... it's a small town up north in France, inside which is located a huge and beautiful land of strangeness. Before 1965, it was a chemical-textile factory. After that, no one really knew. Like a quiet jungle of metal and plants. The Odomez Serie aims at keeping the memory of that place alive, now that it is doomed to demolition, and to call for musical and visual collaborations. Every artist contributing will be sent an artwork related to the place as an inspiration." Hands of Sun is English sound artist Mark Peter Wright and his contribution is an evocative mixture of musique concrete and field recordings, adrift in a huge haze of wind tunnel drone. The cdr comes in an outsize envelope with a postcard / photograph featuring the work of Constantin Dubois who runs the label.

Harappian Night Recordings - The Glorious Gongs of Hainuwele cd (Bo'Weavil recordings) 7.50

Harappian Night Recordings is the work of Dr Sayed Kamran Ali, also a member of Hunter Gracchus, although you could be forgiven for thinking this was a collision of field recordings of ethnic ritual music and the kind of free jazz / folk clutter that Hunter Gracchus specialise in, played by a freeform collective. Gamelan, oud, primitive bowed and plucked string instruments, deranged percussion blasts, queasy drone - I guess some comparison could be made to Sun City Girls, the more percussive elements of Monopoly Child Star Searchers, some of the Finnish free folk stuff. Highly recommended.

Gareth Hardwick - Carnations cassette (Peasant Magik) 2.50

Double sider featuring two ever expanding drones. The first side is based on guitar and is as warm and gorgeous as any Stars of the Lid track. The second is a dense slab of wheezy chord organ drone. Both excellent. 

Gareth Hardwick / Eyeballs split cassette (Blackest Rainbow) 4.75

Nicely matched split featuring one side of Hardwick's glacial drift - tones merge like clouds on the horizon - and the other features Richard Dawson (Eyeballs). On this side I can hear distant melodies beneath the drone haze but it sounds like they've been suppressed beneath layers and layers of fog or buried deep underground and it's an effect that's deeply unsettling (but in a good way!).

Gareth Hardwick / Machinefabriek split LP (Low Point) 7

Another great pairing featuring Mr Hardwick. This time his piece is recorded on lapsteel and the gliding notes elongate into longing tones that ebb and flow. Its meditative qualities remind of chorale music. Beautiful. Dutch musician Machinefabriek sculpts his drones from static and hiss and latterly the piece becomes a ghostly counterpoint to Hardwick's more classical tones. Highly recommended and on clear vinyl. 

Harps of Fuchsia Kalmia

  • The Angular Acceleration of Light in the Unsound Mind of my Uncle Dead in Michigan cdr (Reverb Worship) 5.50

Harps of Fuchsia Kalmia is the alter-ego of Salvatore Borrelli (also of Etre). Loose improvised folk clutter utilizing a lot of exotic stringed instruments such as saz, ectara, israj, dulcimer, egyptian harp and celtic drone harp as well as the wheezy drone of harmonica / shruti box / organ. Valerio Cosi contributes saxophone to one track - a strange collage of queasy jazz and dusty Victoriana.

  • Burning With Your Old Joy in the Terminal Sun cd (Ikuisuus) 8

Another gorgeous album from Salvatore Borrelli with 5 tracks dedicated to Maya Deren, Luciano Cilio, Carole Schneemann, George Bataille and Derek Jarman. As on his recent Reverb Worship cdr, he uses a plethora of exotic stringed instruments and wheezy organ / harmonica drone to create a semi-improvised amorphous wash of avant-folk.  Mesmerizing and intriguing. 

  • Fractal Psych Obsessions For Rural Chaos cdr (267 Lattajjaa) 5

Harps of Fuchsia Kalmia is the alter-ego of Salvatore Borrelli (also of Etre) and he is joined on one track on this by Valerio Cosi. A beautiful amorphous collage of exotic stringed instruments and digital manipulations. Midway between electro-acoustic improv and avant-folk.

Hassara - Backyards I - III cd (3 Lobed) 5

This guitar tour de force compiles three cdrs released in very small numbers. Hassara is James Toth, aka Wooden Wand but, save for one track, this is a far distance from the music he makes under that name. Here he comes blazing in with a hurricane of feedback and fuzz, subsides to a sort of walking blues, then it's full power again with a wah-wah pedal in circuit. The last two tracks (clearly these formed one of the original cdrs) have quite a tinge of Captain Beefheart about them and this is, I think, best enjoyed if you turn it up and let yourself be pulled into the vortex of Toth's repetitive riffs. Rockin' (JC)

Heathen Prayers - Behind the Patterns cdr (HP Imprint) 4

Bart Jacobs and Sander Wildeboer (what a splendid name!) use percussion and guitar, respectively, to create 3 soundscapes of quite sparse improv. This is music of introspection, where the players realise that an increase in intensity doesn't have to mean playing louder. (JC)

Heavy Winged - Alive in my Mouth LP & cd (3 Lobed) 9

"comprised of two of the band's dirtiest and, quite simply, heaviest tracks, it is music for tearing down physical walls. in a small departure from some of our recent vinyl titles, there will not be a bonus cd for pre-ordering the record. instead, every copy of the album will come complete with a cd that features both of the album tracks in addition to a "bonus" 17 minute track. everyone wins! alive in my mouth is be from an edition of 647 copies pressed on 180g RTI vinyl. the record is housed within heavy art sleeves bearing new artwork by michael canich" (3Lobed)

also: Wailing Bones Volume 5 comp

Helhesten 

  • Only the Sun of Folk Songs Visits Your Grave cdr (Cook an Egg) 6.50

Helhesten are the band formerly known as On Fire who shared a split with Chora (in face Rob Lye of Chora plays on this cdr too). Also guests Pascal Nichols, Kelly Jones (Cooper Jones) and Ben Morris. Cultish jams with stacks of percussive clatter, unhuman vocalizations and clarinet parping.

  • Graphical House cdr (Blackest Rainbow) 4.75

Towering Breaker offshoot. Swarms of electro-acoustic drone with see-sawing violin, occasional blurts of clarinet and lots of weirded-out vocals.

Helm - Impasse 3" cdr (Low Point) 2.75

Excellent new release from Luke Younger of Birds of Delay with a full-on blissed-out whiteout of pulsing synth, tone shimmer and hidden ghost-like melodies hidden deep in the brightness.

Nils Helstrom - Discarding All That Was Before cdr (Reverb Worship) 5.75

Expansive drone-works with an uneasy undertow.

Jason Henn and Joe O'Connell - Mingus Plays Electric Guitar 7" (Luddite Rurual) 1

home-recorded 'tape chess' - ping-pong collaboration from members of Elephant Micah

also: Elephant Micah

Chris Herbert / Felix split 7" (Low Point) 2.75

A lovely split on Gareth Hardwick's Low Point label. Chris Herbert has an LP due on Kranky and one out already. This track is dedicated to the ghost of Basil Kirchin - this starts out with Chris processing electric guitar into drone layers, haunted by a collage of field recordings and a sense of unease. The other side features Felix: a duo of Lucinda Chua on piano / vocals and Christopher Fummerlin on guitars. It is an intimate recording with 'cello underpinning the hushed piano chords and Lucinda's semi-sung, semi-spoken vocals and sounds like Empress recording for Kranky. 

Victor Herrero - Anacoreta (10 Songs for Spanish Guitar) cd (Bo'Weavil recordings) 7.50

Victor recently collaborated with Josephine Foster on her "This Coming Gladness" album but this album finds him on 6 string (nylon) acoustic rather than electric guitar. The result is a fascinating collection of Spanish folk, flamenco and classical traditions.

Herons - Walk Upright cassette (Housecraft) 2

Dense drifts of bowed strings, feedback and the kind of indeterminate sound that generates unease and reminds me of Lanterns. 

H.L. - Broken e.p. 3" cdr (First Person) 0.50

minimal electronic hum with distant beats and voice

Stephanie Hladowski - s/t 10" (Singing Knives) 6

An unutterably beautiful record that started life as recording sessions for a Scatter album. 4 traditional songs sung in a voice that sends shivers to your toes and back again. She sings "In the Month of January" a cappella, "Willie O' Winsbury" accompanied on bouzouki by brother Chris (of the Family Elan / Nalle) and on the B side explores the drone undercurrents of folk music with incredible takes on "Andrew Lambie" (with a blanket fuzz drone of harmonium and clarinet) and "MacCrimmond's Lament" with Isobel Campbell's 'cello providing the mournful depths. Beautiful "embroidered" artwork from Hanna Tuulikki and sleevenotes from Alex Neilson. Can't recommend this highly enough.

Homescience - End the Year 7" (Pickled Egg) 0.25

quirky US lo-fi pop with an epic heart

Hoofbeat, Caw & Thunder - s/t cd (Hand/Eye) 2.50

My first impression of the opening track prompted thoughts of Timothy Leary's Turn On, Tune In Drop Out: atmospheric spoken work over hazy droning background. However the subject matter here has more to do with biblical subjects - apocalypse, prophecy - than '60s trippy-ness. There are almost nedieval folky songs and full-on fuzz guitar salvos too. Overall, the most obvious way I can describe what this sounds like is to say "Current 93". Very well packaged too. (JC)

also: Timothy, Revelator, Crow Tongue

Hopen - We Are Singing for Hurrays cd (Arbouse) 0.50

this has perhaps the worst cover I've stocked but is a rather interesting mish-mash of samples that can be confusing or pretty or sometimes both

Horrible cassette (self-released) 1

Mangled synths and garbled noise from Arttu Partinen (Amon Dude, Avarus) and Erwin van Looveren (of Schizoide Shattered Minds). 

Robert Horton 

  • If I Can't Play My Boot, I Don't Have A Leg to Stand On cdr (Nothing Out There) 9

A welcome return from one of America's finest sound-makers. Horton's home-made guitar, the Boot, features on every track here, forming a spectral haze of strings. Bells, harmonium and a keyboard that reminds me of Dolly Collins' flute organ breathe sunshine into the stringed fug. Two tracks near the end are monolithic drones: "Dirge for the Court of the Sow Bug", featuring bagpipe chanter, fizzes and swarms like a huge cloud of insects and the final "Tune for the Great Wood" exhales in slow chordal wheezes. Gorgeous. 4 panel artwork.

  • Interdigitate cdr (Anti-Guru) 7

A lovingly packaged cdr on new UK label. This is some of Horton's most blissful music to date with xylophone splashes opening the cdr in gorgeous fashion, like early morning sunlight through blinds. Other highlights are the hypnotic loops of guitar / boot on many of the tracks, spectral oscillations and gaseous hiss of "Green Mist" and the wonderfully Clangers-eque "Clavicle" on which Tom Carter contributes e-bow guitar. As ever, Horton's musical vision is nothing less than fascinating. Handmade packaging.

Hotem - Trans-science: Live @ Illokivi cdr (Foxglove) 2

Trans-science was recorded at the Praesens improvisation music venue in Ilokivi, Finland and it runs as one continuous, near 50 minute, piece. The venue has a lively acoustic and it suits the four players and their chosen instruments (much percussion, Jew's harp and, lierally, bells and whistles) very well. There's no technical point-scoring here, so the intervals and spaces are savoured and when the music falls into a groove, you can tell these people are in it for enjoyment and feel, rather than chin-stroking analysis. Indeed, when the drums and didgeridoo get going, this becomes funky… and, however much you may love improv, you can't say that too often about this sort of free music! (JC)

Noah Howard  - The Black Ark LP (Bo'weavil) 10.75

If you're at all into post-Coltrane free jazz, this album is a "must have" issue from Bo'Weavil. Released in 1969, unavailable for ages and, most importantly, an utterly cogent, driving set of pieces from a splendid seven piece band lead by alto player Noah Howard. This re-issue puts some very powerful free music back on the map and it does so with customary Bo'Weavil packaging style. Also worth a mention is the original sleeve note by trumpeter, International Times cartoonist and writer Mal Dean, reproduced here alongside some highly enthusiastic new words by Oren Ambarchi. His enthusiasm for the record we can only endorse. (JC)

Howlin Rain - Wild Life LP (Three Lobed) 16

Vinyl reissue of a cd available only as part of the 3 Lobed Oscillations III subscription series. Howlin Rain features Ethan Miller, Ben Chasny, Utrillo Kushner, Joel Robinow and Ian Gradek. Side A features an incredible side-long take on Wings' "Wild Life" which sounds more like an extended completely psyched-out version of CSNY's "Almost Cut My Hair". Side B is pretty good too, venturing into jazz-rock territory, but the onslaught on Wings has to be the side for me.

Hronir - Bardo Thodol cdr (MYMWLY) 1.50

This opens with some severely damaged electronic warfare, then unexpectedly changes tack into some sinister organ doom and onwards into more musique concrete territory. Packaged in a thick card sleeve with handmade collage.

The Human Combustion Engine 

  • Amarillo Vivo cdr (Memoirs of an Aesthete) 5.50
  • 2 cdr (Smokers Gifts) 5.50

Melanie Crowley & Phil Todd of Ashtray Navigations join forces in creating an entirely different sound. Shades of Joe Meek's "Glob Waterfall" from "I Hear a New World" with silvery beams of synth light sweeping across the night sky and ominous humming undertones. 

The Hunter Gracchus 

  • cassette (Recollections of Knulp) 2.50

Free folk improvisations from Jon who runs Singing Knives and played with Sharron Kraus in Feather Gatherers, Ross Parfitt (Tirath Singh Nirmala collaborator) and members of Harrapian Night Recordings. On Ben Nash's label.

  • Sacred Object of the Yiye People LP (Chironex) 14.50

Free folk improvisations from Jon who runs Singing Knives and played with Sharron Kraus in Feather Gatherers, Ross Parfitt (Tirath Singh Nirmala collaborator) and members of Harrapian Night Recordings. Jams based mainly around percussion but also melodica and recorder that have the feel of a cultish ritual. The sleeve photograph is great too.

  • Companions of the Porch cdr (Golden Lab) 5.50

Free improvisation group based around the core of Syed Kamran Ali, Fiona Marshall and Jon Marshall (who runs Singing Knives). Percussion, wind instruments, melodica and bowed / plucked strings create a restrained and strange magic within acres of space. 

Hunton Quintet - Kuutelus cassette (Ikuisuus) 2

Anti meets Uton. This is their fourth release and very odd it is too. Helium-voiced hallucinations and wisps of chemical drones. Guitar / piano improvisations.

Hush Arbors 

  • Under Bent Limb Trees 2cd (Digitalis) 10.50

Keith Wood is Hush Arbors and also a member of Wooden Wand & the Vanishing Voice, Golden Oaks, Sunmilk and a sometime live member of Six Organs of Admittance. This is a much-needed reissue of an earlier Digitalis cd and is as stunning an album of downer folk as any. Heavily-delayed repetitive guitar lines are funereally paced, drones loom in the background full of foreboding and Keith's high-pitched vocals float free and wayward amidst an atmosphere of drug-induced stupor. The second disc features rare, out-of-print and unreleased tracks.

  • Live, Heeley Institute / Death calligraphy cdr (self-released) 6.75

Two reissues in one: first the Blackest Rainbow live set from Sheffield, then the 3" that came out a while ago on MYMWLY.

Wooden Wand / Hush Arbors - Swappin' split 7" (Great Pop Supplement) 3.25

Split featuring one new song each, "Light" from Hush Arbors and "Breather" from Wooden Wand. Recommended.

i

Ice Bird Spiral - Psychiatmc Bloems cassette (Funeral Folk) 5

"This 30 minute tape is like listening to NWW and Biohazard intros in a dentist seat, or a delay-drenched Yeovilian version of De Fabriek.  Bizaradelia freak-out. They played an amazing show at the recent Kraak festival. These guys need to end up in everyone's tape deck and exotic dreams about hippie communes on Saturn in 2035!" (Funeral Folk)

The Idle Suite - Up Two Sticks Road cd (Last Visible Dog) 3

This recording, made in Wellington, New Zealand, is about as direct an approach as you can get: it's made uing just one mic in front of the band. This calls for good natural balance between the guitar/bass/drums lineup and that's achieved here. The music is melodic improv, with initial themes which leave the players space to expand. In some places, this might loosely fall into the spacerock area, whilst the longest piece on the album had the feel of a shadowy chase sequence in a spy movie. (JC)

Impromptulons - Beat It / Beat Off 3" cdr (Black petal) 4

Abstract improv revision of Weird Al Jankovic's version of "Beat It" by Joel Stern, Will Charlton, Alan Nguyen, Rin Healy, Marek Rygalski and Adam Bark.  

Indoor Park - The Neutral Mile cd (Deep Water) 6.50

An album of mainly instrumental electric guitar and drum pieces which confounds any thoughts of beard-strokey post rock. Instead, there are hints of krautrock, nods to instro rock'n'roll and really fine melodic sounds and fuzzed soloing. Sampled spoken word interjections are used to great effect, especially on The Long Boy and the Fat Boy, which I just can't stop playing. A welcome surprise find and one I'd recommend to you. (JC)

Inhibitionists - Concessions Strings cdr (MYMWLY) 3.50

Abstract sound impressions from Christian Kann, often built from rattling strings into a frenetic throb. Some tracks utilize percussion and drums echo around a weird unearthly hum. Others get darkly glitchy. Nice packaging with felt inside.

Isaac Willow - Santimonious Rhythm & Rouge cassette (Housecraft) 4

Crazed improv finds itself buried under a mountain of hyperactive tape debris. Sold out at source.

Isengrind / Twinsistermoon / Natural Snow Buildings - The Snowbringer Cult 2cd (Students of Decay) 11.25

A stunning double cd release featuring music from Natural Snow Buildings and two associated solo recordings. First up is a split disc with Isengrind (Solange Gularti) taking up the first half. Thick plumes of Eastern-leaning drone-smoke and ethereal folk. Solange uses sitar and other stringed instruments, flutes and whistles and a plethora of hand percussion, filtered through a ton of reverb to create something utterly otherworldly. Twinsistermoon (Mehdi Ameziane) starts his half of the disc by occupying similar hazed-out drone-folk terrain. These are interspersed with sparsely accompanied folk ballads with Mehdi's impossibly high and pure vocals recalling Vashti Bunyan. Disc two features the two recording together as Natural Snow Buildings. Some tracks, like "Bear Hunting", are wistful and wide-eyed post-midnight balladry. Others are dense and opulent dirges with a much darker, almost ritualistic side than either solo project, as if magicking up the spirits of the forest. This comes in a gatefold sleeve featuring artwork by Solange and needless to say, comes highly recommended.

Islaja 

  • Palaa Aurinkoon cd (Fonal) 9
  • Meritie cd (Fonal) 9

exotic and beautiful avant-folk from Merja Kokkonen who also plays with Kemialliset Ystavat & Avarus: an astonishing array of instruments are plucked and bowed, the vocal harmonies are haunting, the arrangements sound vaguely archaic and the result is utterly sublime if rather unsettling

  • Ulual Yyy cd (Fonal) 8.50 / LP (Fonal) 8.50

Brand new (third) album by Merja Kokkonen, also of Avarus / Hertta Lussu Assa. This is truly extraordinary experimental pop that is extremely hard to pin down; it seems to exist in an entirely different world and time - I suppose it makes me think of Can's "Ege Bam Yasi" without really sounding like it. It has a similar tranced feel and a dubby edge to it at times. Merja's vocals are astonishing -  up-front and disconcertingly double-tracked. A few tracks towards the end sound similar to older Islaja songs but this is a bold step into something entirely unique. Highly recommended.

also: Maan Matoset comp, Sala-arhimo

Iversen  - 42 Minutes cdr (Foxglove) 1

42 one minute pieces from Jan Iversen who runs the Tibprod label that range from deep primordial drone to electronic high-end noise scribbles

also: Bjerga / Iversen

Ixchel - Dreams of cdr (Leaf Trail) 4

Duo featuring Dubliners Timothy Hurley (Quetzolcoatl / Bonecloud) and Barry Semple. Of all Hurley's projects, this comes closest to being song-based with Hurley's blissed-out vocals drifting high over layers of fogged sound. "Clockwork Castles" sounds like Skaters play something off "Pet Sounds" - nice! I've been a fan of everything Hurley has done to date but this is his finest moment.

j

James Bloodbeard - s/t " cdr (Rural Faune) 4

Four-piece featuring Steven R Smith (Thuja, Hala Strana etc), Jason Honea (Child Readers) and Mark Williams and Brian Lucas, both of Father Beard. Free strumming, the insistent wheeze of melodica and spaced-out vocals.

Jane Austen - Wish Wash cassette (Clean Teeth) 4

Solo project of Angeline Chirnside who has also been in Currer Bells, Wyntr Raven and Lost Roman Legions. Strange and magical lo-fi home recordings. Distorted bells that sound like they're ringing from underwater. Sea shanty drones. Strange piano sounds that sound like gamelan music.

Frank Janiurek - Electric Sex Goddess cdr (self-released) 3.50

Stunning solo guitar from one half of Red Kites, soaring arcs of ringing feedback and the purest of tones, reminiscent of Mazzacane Connor's electric guitar recordings.

David A Jaycock - A New Love Song 7" (Great Pop Supplement) 4

This single is a delight in every way. The artwork is fabulous with a gold sprayed bird on the leaf-cut cover and a printed insert. David A Jaycock is also a member of Big Eyes Family Players and the B side of this single could easily have graced one of their albums with its melancholic chamber folk. The A side is a song with a real early '70s English singer-songwriter feel. Lovely stuff.

Jazzfinger - Mole & the Morning Dew LP (Spirit  of Orr) 11.50

5 track LP from Newcastle duo of Ben Jones and Hasan Gaylani. Burning guitar fuzz, a thick haze of static and crumbling electronics - degraded drone from Newcastle. 

Jazzfinger / Culver & Fordell Research Unit LP (Blackest Rainbow) 9

"Brand new split LP featuring heavy hitting UK bleak dudes... A-Side is Jazzfinger's 'Killed In A Clear Sky', one solid slab of fucked up tapped guitar drone and distant eerie whir... like a storm of electric feedback, slashes and cuts. Far out, and a real killer 20 odd minutes to make you lull out. B-Side is a collaboration between Culver and Fordell Research Unit, another side long piece, that starts off with some bassed up doom chugs and slogs that sound like fucking something that could lay down by some Southern Lord brutality, but then it punches you in the face with its distorted churning hell. Limited to 275 white label LPs."

Jennifer Gentle 

  • A New Astronomy cd (A Silent Place) 6

The official release of a cdr released in an edition of 100 on Sub Pop in 2005 and dedicated to 19th century amateur astronomer Giovanni Paneroni who held a staggering number of nutty ideas, including that the sun is a 2m in diameter silver ball. Luckily "interesting" ideas translate better to the arts than sciences as this cd, perhaps JG's strangest release, testifies. Sounds range from cosmic drone to sweet but warped pop, like hearing Joe Meek productions in your dreams to ragged VU-esque drone / raga jams to damaged acid pop to an out-and-out Meek tribute "Me and Joe on the Moon". Fantastic.

  • Live In the House of God LP (A Silent Place) 10

This solo performance by Marco Fasolo was recorded, as the liner informs us, "in a little church somewhere in Italy on July the 31st 2003". It seems like an omen of things to come, as nowadays Jennifer Gentle is Marco's solo project. A Vox Jaguar organ is played through a variety of effects and the music created really thrives in the ehco-y acoustic of the church. At times it's almost as though an ancient choir was being channeled through the organ! This is on single sided white vinyl - a lovely thing to look at as well as fine music. (JC)

Jennifer Gentle & Kawabata Makoto - The Wrong Cage cd (A Silent Place) 8.50

In case the very combination of these forces isn't enough to tempt you, here are a few details. All the music was recorded live in 2002. Makoto plays a wild and wonderful solo piece on sarongi, and the collaborations are flowing psych-outs. The bonus track - 18 minutes-plus of it - is a fuzz-fest freakout which could psychedelicize the very foundations of your home... or the internal walls at least! Highly recommended. (JC)

Jerusalem & the Starbaskets / Bengal Traitors split 7" (Great Pop Supplement) 4

Two earthy and refreshing rockin' tunes with, at times, flavours of Bo Diddley (the guitar at the end of the Jerusalem song especially) and Medicine Head about them. This is a highly attractive 7" on opalescent vinyl with a spiral pattern printed on the sleeve and fronted by a separate print of the spiral on clear plastic: if you move this against the background, you can simulate the opening sequence of Jon Pertwee-era Doctor Who shows in the comfort of your own home... fab! (JC)

Jinx - King of the Rats 7" (Becalmed) 0.25

harmonizing American duo Chris and Wendy play a
melancholic strummy indiepop which reminds me of the Lucksmiths and even the more subdued moments of the Smiths in places

Joe + N - Opsy Delet Space Before Com cdr (First Person) 1

Sparse guitar notes hanging in an oppressive atmosphere and gnarled moans / growled murmurs from Joe of Carbon records.

John Henry Calvinist - King Soloman Hill cdr (Foxglove)  2

Solo cdr from one of the members of the Lost Domain: autistic blues on acoustic slide guitar, lonesome feedback howling across parched wood-knocks and guitar squall that makes my head throb.

Joshua - Life Less Lost cd (Spirit of Orr) 9.50

reissue of Joshua Burkett's second album, originally released on his own Feather One's Nest in a folded-paper black and white sleeve. Woozy late-night loner folk. Highly recommended.

also: Pewtr Trust

Ryan Jowell / C Spencer Yeh / Wsteland Jazz Unit cdr (Dreamsheep) 6.75

"Sounding like Laddio Bolocko playing Aufgehoben's songs, this amazing quartet shares a seriously mindblowing connection with the huge  underground noise scenery in the United States.  This half-an-hour free-form session between these Ohio-based dudes  is a long electroshock torture which features Yeh (experimental violinist/electronic musician with a highly growing reputation around the world) playing bass here, Jewell (experimental drummer/electronic musician also involved in Pink Reason and Psychedelic  Horseshit) on drums/electronic junk and John Rich/Jon Lorenz  (Wasteland Jazz Unit) totally immersed in a hyper-amplified and nihilistic sax playing. File under sparkling brutality." (Dreamsheep)

Julie Mittens - s/t cdr (Abandon Ship) 5

"The Julie Mittens were among the first groups that I asked to do a release for Abandon Ship Records. It's been nearly a year now, and well worth the wait. They've made some treacherous waves over the past few years, from their Sloow tape to their latest Holy Mountain release. This one is no exception. Fresh off their US tour, the Julie Mittens decided to properly document it with sister releases on ASR and the Netherland's own Cut Hands label, respectively. Not only are the two releases completely different from each other, but each CDr is housed in it's own one-of-a-kind sleeve which boasts a unique photo taken on their US tour. That's 200 different sleeves in total, with screenprinting on each taboot! Recorded by Steve Sanford at the Golden West Cafe in Baltimore on September 10th, and features Baltimore's own Lexie Mountain on vocals for the 2nd track." (A Ship)

Julie's Haircut with Sonic Boom - N-Waves / U-Waves cd (A Silent Place) 8.50

Julie's Haircut hail from Italy and have accompanied Can's Damo Suzuki, so the Krautrock feel in their music isn't surprising. However, it seems rather unusual to hear Sonic Boom involved here. I say unusual, but I also mean very welcome, as his electronics sit very neatly within the tight rhythms and alongside some very funky Hammond organ! (JC)

Juniper Meadows - Grand Sonora 3" (Palustre) 2

Reissue of a 3" that originally came out on Imvated (now Bread and Animals) - hesitant banjo and ukulele pluckings, bowed strings and the soothing wheeze of one of my very favourite instruments the melodica. Sounds like it was improvised late at night under the stars. Gorgeous. Hand-made packaging

k

Righard Kapp - Traces 2003 - 2004 cdr (One Minute Trolley Dash) 2.50

a nicely packaged cdr on a new label from South Africa that offers some lovely intriguing music: gentle drones and looped clicks cast a mist over delicately picked guitar lines - drone meets found-sound electronics in a beautiful yet unassuming way 

Kark - The Hermit LP (HP Cycle) 3

It took me some time to even figure out the name of the band involved here, as it appears nowhere on the lp sleeve or insert and only on one side of the label, and then against other lettering. Very mysterious! Turns out they are 50 or more in number, hail from Kentucky and include members of the likes of Virgin Eye Blood Brothers, Sapat, Son of Earth, Belgian Waffles etc. The album begins with the ever welcome, yet uncommon, sound of massed twirly tubes, eveolves through collective groove with brass and reeds to the fore - a-la Sun Ra/jazzier end of '70s Zappa, but much looser - to head into full on free blowing on side 2. All good fun too. (JC)

Katchmare - Soft Cavern cassette (Digitalis) 3

"katchmare is the solo moniker of nick hoffman who runs the excellent scissor death label up in illinois.  "soft cavern" is a dense listen and perfect for the oncoming bitter cold that winter brings.  using little more than guitar and microsynth, hoffman laces the hanging branches with burned-out silver streamers and acid-soaked confetti.  there's something about "soft cavern" that is simultaneously disorienting but familiar.  you're sure you've been here, but you can't quite figure out when. there's a vague, sinister undercurrent that flows through the cavern walls, but it's constantly kept in check by hoffman's able, delicate touch.  these drones are entangled in each other, like a sonic spiderweb of bliss." (Digitalis)

Kawabata Makoto 

  • Hosanna Mantra LP & 7" (A Silent Place) 15
  • Hosanna Mantra LP (A Silent Place) 10
  • Hosanna Mantra  s/t cd (Important) 7.50

Gorgeous new album from the Acid Mothers Temple guitarist. Two side-long tracks: one is silvery elongated beams of e-bow guitar piercing their way through tranced bouzouki pickings. The other a fantastic piece of tone drone - spectral bowings & sitar chime. The limited £24 version comes with a 7" single, poster and postcard. Gatefold sleeve on both editions.

  • Inui 4 cd (VHF) 5

4th (obviously) in the Inui series of solo Kawabata releases. This one is as meditational as the others, with long pure tones drifting over the horizon and an undertow of a repeated hypnotic acoustic guitar figure. later backwards guitar and hurdy guitar appear to create a shimmering wall of interstellar drone. Gorgeous.

  • We Don't Know Where We Came From LP (Important) 8

"Limited edition of 500 copies in a letterpress jacket. We Don't Know Where We Came From features Acid Mothers Temple leader Kawabata Makoto on both Electric & Acoustic Guitars. Recorded at Kaccho-Buu Matsuzaka by Takayama Manabu." (Important)

  • / Michishita Shinsuke - Basement Echo cd (Important) 9.50

"Basement Echo is the historical meeting point of two generations of the Japanese underground. Kawabata Makoto, leader of The Acid Mothers Temple, and Michishita Shinsuke, leader of LSD March, are together here for the first time in a guitar duo. Though Kawabata and Michishita are from the same scene the fact that they are from different generation means that they bring different energy to the collaborations. This fact is extremely exciting for Kawabata who refers to Michishita as "one of the most promising musicians in the Japanese Underground." Both artists agree that Basement Echo was a step into the unknown with neither really knowing what the resulting sounds would be. For Michishita the collaborations have been a dream come true. He describes Kawabata as having a "soul of rock that never burns out." After the recordings were complete the two friends sat down and raised a triumphant toast. Recorded at Snowflake Sound in Sapporo in October of 2007. Totally improvised with no editing/overdubbing." (Important)

also: Acid Mothers Temple, Kang Tae Hwan Trio, Splendor Mystic Solis, Up-tight & Makoto Kawabata, For the Dead in Space II & III comp

"Keep Breathing" cdr (Rhizome) 4

I'm not sure who this is but it was originally available on Winter records of Adelaide and contains 3 tracks of harshly recorded harmonica / melodica drone

Keijo 

  • Here They Come cdr (Reverb Worship) 5.50

Another super-limited (51 copies) Keijo release on Reverb Worship that is destined to not stick around for long I imagine. Mesmerizing folk-blues jams and more psyched-out atmospheric pieces too. Hand-painted sleeve. 

  • Just Enough cassette (Digitalis) 6

8 track cassette from Finland's Keijo Virtanen. This is his droniest work in a while with the guitar work kept fairly sparse. Harmonica haze, vocal oms and singing metal create a meditative air and Keijo's cyclical guitar weaves magic through that.

  • Reduce Snow cdr (267 Lattajjaa) 5

Latest from Keijo Virtanen. Minimal blues and hypnotic repetitions on guitar, harmonica and jaw harp.

also: Invisible Pyramid, Maan Matoset comp, Kheta Hotem, Robert Horton / Keijo. Magick Travelling Backpack Band

Keijo and the Free Players - After at Once cd (Digitalis) 4

more mysterious sounds from Keijo Virtanen and his Free Players (Vapaa / Kheta Hotem) with more than an echo of Indian folk music with some magical sarod-playing by Keijo in the midst of that charged atmosphere that the Free Players always manage to conjure up

also: Gold Leaf Branches comp, Wailing Bones Vol 1, Mosaic Antenna, Wailing Bones Volume 6 comp, Free Players

Greg Kelley / Alex Neilson - Passport to Satori LP (Golden Lab) 9.25

"This beautiful super-heavyweight LP, which comes packaged in a sweet full-colour sleeve reunites the UK's premier free drummer Alex Neilson, who's played, amongst others, with Motor Ghost, Directing Hand, Trembling Bells, Tight Meat Duo, Josephine Foster, Bonnie 'Prince' Billy, Jandek, MV&EE, Richard Youngs, Baby Dee and Alastair Galbraith, with Nmperign member Greg Kelley, whose reinvention of the trumpet is as crucial now as Anthony Braxton's reinvention of the sax was 30 years ago. A screeching, soaring, scattergun array of noises come maniacally out of Greg's horn, unlike anything we've ever heard and he successfully straddles no wave, concrete and free jazz in a way that makes those genres seem like trite pigeonholes." (Golden Lab)

Jeremy Kelly - Pine & Crane cdr (Reverb Worship) 5.50

6 track album of guitar music in a wide range of textures: from manipulated feedback and swoops and swishes like a 'plane taking off to the tremolo twang of the (particularly fine) "Radiate" and a piece which sounds like wild radio tuning sounds. Numbered edition of only 50 copies. (JC)

Kemialliset Ystavat

  • Alkuharka cd (Fonal) 9

Lost-in-the-woods folk-psych that has a wonderful childlike naivety to it - plenty of exotic sounding pickings and pluckings and  primitive percussion with a move into frazzled electronics on 'Alkuharka'. 

  • Kellari Juniversumi cd (Fonal) 7.50

Reissue of the earlier Fonal cd with a 24 page booket of artwork by Jan Anderzen.

  • untitled LP (Fonal) 9

So Fonal are now responsible for 2 of my albums of the year so far: the Islaja one and this, the new album from Kemialliset Ystavat that sounds like it's been beamed straight from another galaxy! It's so hard to compare this to anything ... maybe if Sun Ra and his Arkestra came from Finland (via Saturn obviously) and lived on a diet of magic mushrooms. Huge percussion / ethnic string ritual jams, heavy layers of tape collage and the most vibrant burst of psychedelic energy. Involved in this recording alongside Jan Anderzen are Islaja, Sami from Es / Fonal / Kiilla, Lau Nau, members of Uton and Avarus. The cd comes in a wonderful gatefold sleeve. Highly recommended.

also: For the Dead in Space II & III comp, Maan Matoset comp, Avarus, Hand/Eye comp

Kiila - Contemporaries PAL video (Fonal) 8

The video features songs from 'Heartcore' plus from the 'Free Will is Hard to Kill' 7" and were made by Jan Anderzen, Jonna Karanka (Kuupuu), Sami Sanpakkila, Toni Laakso and more.

also: Lau Nau, Maan Matoset comp

Cast King - Saw Mill Man cd (Locust) 3.50

Cast King hails from Alabama and has been playing old-time country / folk songs for the last 6 and a half decades - this, at the age of 79, is his debut album and it's a fine collection of drinking songs, murder ballads and woman-done-me-wrong songs that sound like they've been unearthed on one of the Harry Smith Anthologies.

David Kirby - The Scythe cdr (Students of Decay) 4.25

David Kirby is a member of Wire Thicket alongside Taiga Remains' Alex Cobb. This is not as full-on as his debut for the same label - it opens with ephemeral creaks, wheezes and tones like the ghostly imprint of an orchestra tuning up. A heavy haze of electricity buzzes underneath. 

Kitchen Cynics 

  • Dust cdr (self-released) 4.50

Another beautiful collection of bedroom psych-folk from Alan Davidson. Includes a cover of Kevin Ayer's "O! Wot a Dream".

  • Hoodie Craw cdr (self-released) 4.50

intimate folk-psych, mostly unadulterated guitar, a bit of keyboard and Alan's gentle lilt. This features covers of 'Vegetable Man' (Syd Barrett), 'Josephine, for Better or for Worse' (the Strawbs) and 'Gently Johnny' from the Wicker Man

  • Dumbfoundlings cdr (self-released) 4.50

Another new cdr from Aberdeen's prolific Alan Davidson of purely instrumental tracks, every bit as lyrical and bewitching as his songs. Cascades of harp-like strings like summer rain, Alan's lilting guitar playing, a bit of music hall, some lovely instrumentation (zither, chanter, phono-fiddle, psaltery, clarinet) and the usual great titles ("Double Line for the Gentleman's Comfort" being a favourite).

  • Master Of The Fuzzy Fadeout cdr (self-released) 4.50

this Aberdonian band have been quietly making some lovely records for over a decade now  - intimate bedroom psych-pop, in a similar vein to Robin Hitchcock but a slightly folksier feel  - includes covers of Fairport Convention and Bridget St John

  • The Aberdeen Typhoid Outbreak of 1964 cdr (self-released) 5

Another journey into the magical mysterious folk-psych world of Alan Davidson. This is a cd of instrumentals based on the typhoid outbreak in Aberdeen in the '60s which may sound like you're in for a grim listen, but this is as lyrical as I've heard from the Kitchen Cynics. 

  • A Tune-a-day the Kitchen Cynics Way cdr (self-released) 5

In 2007 Alan Davidson ran a subscriber series of cdrs featuring as you might guess one tune for every day of the year. This compiles 31 of them. Bewitching and lyrical bedroom psych-folk. Adrian Crowley plays on and co-wrote one track.

  • Disconnected cdr (self-released) 5

This gathers together some songs that originally appeared on compilation cds that came with Dream & Ptolemaic Terrascope magazines, some different versions of old favourites ("Hoodie Craw", "Here Comes the Bump" are particular favourites of mine) and a bunch of other stuff. There's a cover of "Black is the Colour" and Alan's cover versions are always something special. It's rare that someone as prolific as this manages to maintain such quality and I never fail to be amazed at how he manages it. Magical storytelling psych-folk-pop that should soundtrack your dreams.

also: Rory MacIntyre & Kitchen Cynics, Nihil Project

Klangmutationen - Liturgie cdr (Dreamsheep) 6.75

An incredible blast of free jazz wipeout from a collective from Malaysia. This set was recorded live at the Annexe Central Market, Kuala Lumpur - two tenor sax, electric bass and guitar, bamboo whistles, vocals and drums. Feedback hums and sears and the saxophones provide a wall of malevolent energy.

Kompleksi - (I Ain't No) Lovechild / Moscow 1980 7" (Lal Lal Lal) 0.50

complete with jittery bubbling bass-synth lines and vocoder, these are 2 fine European retro-electronic-pop songs

Kraus - Lamentations of an Ape cdr (Foxglove) 2

from the former drummer with the Futurians: brain frying synth siren-squawkery and dulled martial beats like the sound of advancing troops in the distance 

also: Futurians

Sharron Kraus - Right Wantonly A-Mumming cd (Bo'weavil) 8

A collection of new songs and traditional that reflect the passing of the seasons from mid-winter to mid-summer through May Day and harvest time. Sharron is joined by singers and musicians from the Oxford folk scene (including a crumhorn player which you don't hear too often). The vocal harmonies are rich and melodious, reminiscent of the Young Tradition, the instrumentation unobtrusive, mostly flute, melodeon and fiddle, the songs memorable instantly. Another essential Sharron Kraus release.

also: Iditarod & Sharron Kraus, The Honeymoon Music Compilation, A Houseguest's Wish comp, Feather Gatherers, Meg Baird / Helena Espvall / Sharron Kraus

David Krejcj cd (New American Folk Hero) 1.50

Created from parts of an old piano, pickups from a Fender Rhodes keyboard and the amplifiers from a Hammond organ, the Cleophone is unique. One time Minneapolis psych rocker Krejci named it after his beloved infant daughter, who said her dad's instrument made spooky Scooby Doo sounds. Here he gives a cogent 34 minute performance which shows a strikingly wide range of sounds. When the strings are struck there is still a slight piano timbre; the rest of the time I can only think of Barre Phillips double bass playing or the grooviness of Can's rhythms as possible reference points to tell you what it sounds like. You see, the Cleophone is unique.... (JC)

Kundalini Snakes - s/t cdr (Foxglove) 1.50

a mysterious new name from Finland with a dense impenetrable sound: multi-headed synth weavings, cavernous ear-shredding improv, buzzing invasive drones and minimal buzzsaw throb

Kungen - Cub In 5 10" (Intercontinental) 0.50

I can't find the blurb about this but from memory it's someone from Hermann Dune doing a sample-strewn electronic thing that ranges from fairground cheesiness to hip-hop prowl to rawer early drum-machine / fuzz guitar & organ stuff 

Stefan Kushima - Your Purple Breath cdr (Ikuisuus) 6.50

Austrian sound artist Kushima uses Indian & Mexican pipes, guitar, drums and synths through a plethora of effects on this release to create a haze of crackling drone / fuzz.

Kuupuu - Yokehra LP (Dekorder) 9

This LP is a compilation of some of the tracks on Kuupuu's early releases: "Sateen Suutelemat" on Nidnod, "I Can Walk the Earth" on Foxglove and the 3 self-released cdrs. Intimate night-time meanderings, primitive electronic loops, wordless vocal wow and lost-in-the-woods whisperings.If you missed those, don't miss this as it is truly magical.

also: Avarus, Gold Leaf Branches comp, Lussu Ja Magneetti

Kwannon 

  • Clear Star cdr (Reverb Worship) 5.50

Kwannon is a solo project from singer & multi-instrumentalist Jenne Micale, her soaring operatic voice heard here alongside dulcimers (hammer & mountain), whistles drums and, according to the insert, chest beating... well, why not?! She creates a mysterious and ethereal sound world which is rooted in her interests in medieval music. One track has a gently electronic feel to it, but most of the album is acoustic, with her lyrics drawing on Ralph Waldo Emerson and W.B. Yeats in addition to her own work. Those with a taste for Fursaxa or indeed something more gothic should definitely hear this. (JC)

  • Oisin cdr (Reverb Worship) 5.75

Another beautiful release from Jenne Micale. On this she once again sets two poems by Yeats to music along with crafting her own haunting compositions. She creates an enchanting world of medieval song with a faintly gothic air using instruments such as autoharp, celtic harp, hammered dulcimer, kantele and bells while her airy mezzo-soprano weaves mystery. Packaged in handmade paper sleeves.

l

L - Holy Letters cd (vhf) 5

originally recorded in 1989/90 and issued in 1992, this is an infinitely calm and lovely album of cosmic psych-folk and drone from Hiroyuki Usui. This reissue comes with a booklet which includes liner notes from Ben Chasny (who collaborates with Hiroyuki in August Born)

La Otracina - Gardens of Blackness cassette (Digitalis Limited) 5.75

"pretty stoked to finally be dropping a bomb from la otracina, one of my absolute faves from the past few years.  these brooklynites know how to bring in it in all forms from all directions.  "gardens of blackness" is everything you'd hope it was: heady dark drones that flirt with the world of metal more than ever.  drummer/vocalist adam kriney let's go on the a-side, hollering and wailing like tomorrow's nothing but a distant dream. 
other times you end up dredging up some serious murk from the bottom of the pool.  hints of tape collage come out of nowhere and eventually it mellows out for a pretty even high.  it's cohesive and all over the map all at the same time, definitely showcasing their new direction since their last record on holy mountain.   there ya go, what else do you need? limited to 55 blackest black copies." (digitalis)

Laissez Faire - Asylum cassette (Abandon Ship) 1

One sided tape of music from Peter Friel (JKTapes / Widening Horizon). A collection of electronic squiggles layered into one seething mass of machine scrawl drone.

Lamppukello - Kaahumatti Kaheskanneski, Yyjo Ite Yheskanneski cdr (267 Lattajjaa) 1

perhaps the most deranged thing to come out of Finland - this is a similar idea to the Kneale Kneale Kneale project on CPP: one anonymous Finn and his 2 kids create mind-melting sounds with casios on stun and child-babble looped to crazed infinity - yikes!

also: Gold Leaf Branches comp

Lanterns - White Lodge cdr (self-released) 5

Another gem from the Lanterns duo. Fuzzed-up psych / drone with some guitar lines that wouldn't sound out-of-place on an Ashtray Navigations record. Final track "Olene" is a gorgeous space float of somnambulant organ and electronic bubbles.

Lanterns / Gultskra Artikler split LP (Other Electricities) 10

Split LP featuring Glasgow-based duo Lanterns and Russian sound-artist Gultskra Artikler, that comes with a free cd featuring the same album. The Russian artist contributes a couple of tracks that remind me of Bjerga / Iversen's uneasy sonic fuzz and one that mixes spooked childlike electronica with acoustic folk. Lanterns continue to impress with one long track of casio / drone bliss and the other a gentle acoustic jam - both utterly hypnotic.

Latralmagog - Bootis cdr (Reverb Worship) 3

Full value here: this is a close-on 72 minute piece, spliced into 6 sections and Reverb Worship continue their numbered editions of 50 copies by packing this in an especially striking cover, using spray paint and tinfoil to suggest volcanic lava in flow. The music is by the Philadelphia improv duo Ethan Tripp and Al Berheimer, who use lots of percussion and keyboards. Their full-on sonic assaults are balanced by subtler dynamics; for me the shining example is the fourth section, a beguiling chiming percussion piece. The album is named after a star - Bootis is a yellow dwarf in the constellation Bootes. (JC)

Lau Nau - Nukkuu cd (Locust) 7.25

Long-awaited new album from Laura Naukkarinen. Laura has also played in Paivansade, Anaksimandros, Kiilla and Hertta Lussu Assa but her solo songs are a world apart, lysergic reveries evoking the sound of a child-like spirit enthralled by the wonder of the natural world around her. Her vocals weave in multi-layered lullabies amid the gentle pluck of kantele & guitar, hymnal chords on organ and the distant buzz of field recordings. Antti Tolvi (Lauhkeat Lampaat) and Pekko Kappi play on a few tracks. Highly recommended.

also: Kiila, Gold Leaf Branches comp, Maan Matoset comp, Witching Hour comp

Lauhkeat Lampaat 

  • Mystery of Kyyry cassette (POK) 2.50

an interesting concoction of sounds from Antti and Jaako Tolvi of Rauhan Orkesteri that slips in somewhere between free jazz and gibberish: bass recorder that meanders beautifully one minute, stutters insistently the next, vocal splutterings and plenty of percussion

  • Taikaa Takataskussa cd (Peippo) 10.50

Fascinating improv duo featuring Antti and Jaakko Tolvi of Rauhan Orkesteri. Discordant ukelele pluckings, vocal gibberish and the sound of all manner of hand-held instruments and objects being dragged across the forest floor.

  • Amish Amis cassette (Peippo) 2

Actually a solo split featuring Jaakko Tolvi on one side and Antti on the other. Jaakko's side features a steady and hypnotic drone of 2 violins; Antti's is a deep and wheezy drone like an enormous bumblebee, featuring harmonium and vocals. Comes packaged like a 7".

also: Maan Matoset comp, Qbico U-Nite Bruxelles II comp, Antti Tolvi

Keenan Lawler 

  • A Ghost of a Plane of Air cd (Music Fellowship) 7

This was first issued by Lawler in a fairly small quantity in 1999 and now receives a deserved reissue for those who missed it first time. He manages to wring the most incredible sounds from his 1930 Resonator guitar from a dream-like underwater ringing of the opening track to the primitive ecstasies of "Coffee's Bad Books", a flurry of bowings and frenetic notes, to the sheer almost electronic noise onslaught of "The Colonies". Jaw-droppingly good.

  • The Strange Tale of Eddy Westport 3" cdr (New American Folk Hero) 2.50

fascinating dustbowl soundscapes rung from a resonator guitar, finger-picked and bowed

Leafy Green - Songs cdr (267 Lattajjaa) 1

Ten songs from America "Recorded in a cool room during a hot week in a southern town" by Leafy Green, aka Barrett Jones. These are gentle, wistful guitar based pieces and if you value the heartfelt over exact vocal pitch (and who doesn't?) they may move and soothe. (JC)

L'Enfant Meduse 3" cdr (Nothing Out There) 8

Part of the Odomez series, in which sound artists record their reactions to objects found in the abandoned Odomez factory in the north of France. L'Enfant Meduse recorded these songs at the factory and the result is 3 loose improvisations of acoustic guitar and (mainly wordless) vocals (vaguely reminscent of "Sapphie" era Richard Youngs). Nice handmade packaging: outsize card with a photograph and a metal cog (from the site).

Les Beyond - Privacy Act cd (Reverb Worship) 5.50

Les Beyond is the work of Erin Jane Ward - 6 tracks of melancholic delayed guitar repetitions. Shades of a more minimal Yellow 6.

Les Pistes - Saint-Nazaire cdr (Rural Faune) 2

Antonia Leukers - Hasenlove pic disc plus zine (Dekorder) 13.25

Here's a highly unusual release - actually, I'd go as far as calling it unique. The label on the clear sleeve containing this picture disc dubs it "An oddly disturbing & humorous Rabbit Love Story". However, as the songs are in German I can't really comment on this, except to say that Ain't She Sweet, that 1927 hit revived by the Beatles in Hamburg and I Don't Want To Talk About It are among them, sung by Leukers in what could be the style of a cartoon rabbit. One side of the disc has a couple of rabbits coiled up with their tongues out - soixante-neuf indeed! - whilst the other is heavily etched and also illustrated by A.L, who is best known as a visual artist. Listening to this made me think of Fred von Jupiter, but I suspect this dips into darker terrain... translations are welcome! Comes with a free magazine (JC)

Little Skull - Collected 7"s cd / book (Pseudoarcana) 9.75

Another exquisite artefact from Pseudoarcana after that lovely Glory Fckn Sun cd / book. It's a limited (to 50) reissue of all the equally limited Little Skull lathe cuts hand-packaged by Mr Little Skull himself Dean Brown with a booklet full of bats. The music is suitably crepuscular - ghosts of sounds and melodies sculpted from accordian, percussion, strings, pump organ. If fog could make a sound, this is what it would sound like.

Loachfillet - In Random Selekt Volume II 3" cdr (267 Lattajjaa) 0.50

Half science-geek electronic shriek and shimmer and half-effects pedal swirls and squeals from Californian sound artist Loachfillet 

Loner Deluxe 3" cdr (Rusted Rail) 1.50

Plinth's gentle, chiming melodic music, replete with spoken word samples, is reworked here by Loner Deluxe and friends. The treatments are an ideal compliment to the spirit of the originals, with additional drums, xylophone and a rather nice accordion from Anne Marie Deacy of Mirakil Whip. A charming record. (JC)

Harvey Lord 

  • Weighted Down cdr (Reverb Worship) 5.50

Impressively crisp finger picking guitar flows throughout this album and I suspect Mr Lord sees himself as an instrumentalist first and a singer second. However, his gentle vocal style compliments the folk-blues tinged music well. I suspect he is well acquainted with Bert Jansch's back catalogue and I'm guessing that Weighed Down might be a reference to Skip Spence. Whatever, it's a good record. (JC)

  • Don't Believe I Exist cdr (Reverb Worship) 5.50

More delightful guitar picking from Harvey. His two previous releases (one with Dave George) have been excellent and this one follows suit. His guitar playing is gorgeous - sunlit nylon picking and some more folk-blues influenced pieces too. His songs have a gentle warmth that slowly ebb their way into your consciousness. 

Harvey Lord & Dave George - Static cdr (Reverb Worship) 5.50

Previous Reverb Worship releasee Harvey Lord teams up with Dave George to create one long spacious piece of Harvey's languid picking with some laptop manipulation creating an ambient shimmer, evocative of long summer days. Hand-made covers that come in 4 different colours.

Lorsson - Lorioppia cdr (267 Lattajjaa) 5

mind-blistering beatings and primitive howl (musically and vocally) in short sharp bursts from this demented band

Lost Domain - The Mystery of the Lost Domain cdr (Cook an Egg) 6.50

Degraded blues as bare bones as sun-baked desert dirt: slide guitar shivering towards the bowels of hell, strung-out drumming and parched hollering.

also: Gold Leaf Branches comp, Wailing Bones Volume 5 comp

LSD March 

  • Jurando (2nd ed) cdr (Reverb Worship) 5.50

Second edition. The duo's ragged ballads are played acoustically on guitar, drums, bells and vocals and it gives them an even more fragile and post-midnight feel than their recent album on Important.

  • Under Milk Wood cd (Important) 10

The latest album from Japanese duo LSD March is a real quiet storm. Strung-out fragile ballads, wah-wah psych guitar and heavy-lidded dirges. Excellent stuff as always. There are a bunch of outtakes as extras too.

Ludo Mich / Blood Stereo - From Tapes & Throats LP (Giant Tank) 9.75

"Glasgow got consumed by the collective throats of Antwerpian weirdo Ludo Mich and Brightonian/ Lothian noise-family farmhands Blood Stereo a couple years back. remember? relive the night terror inducing Nosferatu yap which melted the minds of the Instal '06 festival audience on side A before necking the most truly OUT swallie of post-everything sound poetry and tape-dirt manipulation ye''ll chug all year on Side B." (Giant Tank)

Luminous - Whatever The Truth Is cdr (267 Latttajjaa) 5

"Following several releases on labels such as Fi-Sci Records, Clinical Archives and tara Records, comes the latest album by Tim Chaplin's electronic / experimental project Luminous. Eight tracks of edited one-man jams, using more traditional instrumentation than previous Luminous recordings." (267)